Constructed in Labbezanga in modern day Mali is a village, which when viewed from above reveals a pattern indiscernible from the ground.
From an aerial photograph taken of the village it was noted that the aspect of fractal geometry called self-similarity- circles of circles of circles and so on was present, used by those who constructed it to illustrate ‘the idea that the house is a union of people and the village is a union of houses and so on. ‘(Duly, 1979)
We see that in Labbezanga residential compounds are formed around outdoor courtyards. Circular granaries and dwellings wind, beadlike, through the village, enclosing narrow streets and courtyards in what appears to be mixed public-private space. Older circular houses with conical roofs contrast with newer, larger rectangular houses with flat roofs. If Labbezanga's older curved dwellings respond to its location on an island in the Niger River, the rectangular compounds suggest recent social and religious developments and the presence of competing cultural forces. We see that in Labbezanga residential compounds are formed around outdoor courtyards. Circular granaries and dwellings wind, beadlike, through the village, enclosing narrow streets and courtyards in what appears to be mixed public-private space. Labbezanga does not present, however, a uniform urban order. Older circular houses with conical roofs contrast with newer, larger rectangular houses with flat roofs. If Labbezanga's older curved dwellings respond to its location on an island in the Niger River, the rectangular compounds suggest recent social and religious developments and the presence of competing cultural forces. Bounding these villages there is a sandy beach rather than a Euclidean fortified wall: no inside and no outside, no separation of city from nature.